For the past twenty-five years, my primary focus has been on the evocative power of color. As a painter with instinctual leanings toward Minimalism, the monochrome has served me well as a format for color exploration. Though my approach has changed dramatically over the years, there has been a consistent fixation on the objectness of
a painting. Early iterations included thick, textured paint applications on wood panels, followed by pristine rolled acrylic surfaces on plywood. In the late nineties, I began altering and carving the substrate itself in an attempt to further activate the color experience. Gradually I abandoned the square and rectangular format altogether and in the process, emancipated the support from its geometric constraints. This allowed for a more physical embrace of color›s expressive potential and in turn, forced a radical change in materials.
The forms that I have been creating for the past fifteen years are hand-carved from dense polyurethane blocks and then spray-coated with roughly twenty coats of automotive primer, custom-mixed color, and clear acrylic urethane. They are typically wall mounted and in some cases, grouped in constellations. In recent years, the dimensions of my work have gradually increased but the results remain on a human scale. All of the work is executed in my studio and without the aid of design software or industrial cutting machines. I make no apologies for embracing the ideal of
natural beauty and like many artists, I don’t consider myself to be aligned with any particular movement.
Biografie
1957 | Born in Ipswich, Massachusetts, USA |
1965–75 | Painting and sculpture |
Private study, Sister Vincent de Paul, Art Director, Emmanuel College, Boston, MA | |
1975–77 | Painting and sculpture |
Carnegie-Mellon University, Pittsburgh, PA |
Einzelausstellungen
2014 | Caja de Herramientas, Ana Serratosa Arte, Valencia, ES |
Object Painting (with Robert Sagerman), Galerie Renate Bender, Munich, D | |
2013 | Barbara Krakow Gallery, Boston, USA |
20 Years of Printmaking at CSS, Massachusetts College of Art and Design, Boston, USA | |
Solo Project/Galerie Renate Bender, Basel, CH | |
Galería Miguel Marcos, Barcelona, ES | |
2012 | Margaret Thatcher Projects, New York, USA |
Galerie Hollenbach, Stuttgart, D | |
Vis à Vis (with Jus Juchtmans), Galerie Renate Bender, Munich, D | |
Art Karlsruhe/Galerie Renate Bender, Karlsruhe, D | |
2011 | The Columns, Seoul, KR |
2010 | Conny Dietzschold Gallery, Sydney, AU |
Galería Miguel Marcos, Barcelona, ES | |
2009 | Margaret Thatcher Projects, New York, USA |
Galerie Renate Bender, Munich, D | |
Ana Serratosa-Arte, Valencia, ES | |
2008 | The White Gallery, Seoul, KR |
2007 | Barbara Krakow Gallery, Boston, USA |
2006 | The Columns, Seoul, KR |
2005 | Seomi & Tuus, Seoul, KR |
2004 | Star Tower Gallery, Seoul, KR |
2003 | Barbara Krakow Gallery, Boston, USA |
2002 | Star Tower Gallery, Seoul, KR |
2001 | The Butler Institute of American Art, Youngstown, USA |
2000 | Space Kitchen, Seoul, KR |
GRUPPENausstellungen
2014 | Faszination Farbe, Kunsthaus Fürstenfeldbruck, Fürstenfeldbruck, D |
Wiedersehen Wiesbaden, Edition Multipleart, Zürich, CH | |
Projektraum/OUT-LOOK, Galerie Robert Drees, Hannover, D | |
2013 | Monocromáticos, Galería Adora Calvo, Salamanca, ES |
Interplay, Conny Dietzschold Gallery, Sydney, AU | |
Embodying Colour, Kunsthaus Wiesbaden, Wiesbaden, D | |
Boston-Como, Como, IT | |
Galería Miguel Marcos, ARCO Madrid, ES | |
2012 | Sense of Colors, Keitelman Gallery, Brussels, BE |
Arise, Barbara Krakow Gallery, Boston, USA | |
Topography of Painting, Patricia Sweetow Gallery, San Francisco, USA | |
Surface Tension, Thatcher Projects, New York, USA | |
2011 | Kunststoff Skulptur, Kreissparkasse, Rottweil, D |
Sculptural Forms, Glasshouse Regional Gallery, Port Macquarie, AU | |
Morphologies, Barbara Krakow Gallery, Boston, USA | |
Conny Dietzschold Gallery, Art Stage Singapore SG | |
2010 | Art Now, The Columns, Seoul, KR |
Monochrome 1, Galerie Renate Bender, Munich, D | |
Conny Dietzschold Gallery, Art Hong Kong | |
Contemporary American Woodcut Prints, Art Bank Gallery, Washington, USA | |
Galería Miguel Marcos, ARCO Madrid, ES | |
2009 | Kaleidoscope, Galerie Kashya Hildebrand, Zurich, CH |
Minimal Variety Forms, Conny Dietzschold Gallery, Sydney, AU | |
Galerie Kashya Hildebrand, Art Dubai/Art Hong Kong | |
Galería Miguel Marcos, ARCO Madrid, ES | |
2008 | Una Mirada, Galería Miguel Marcos, Barcelona, ES |
The Fascination with the Colour Red, Galerie Renate Bender, Munich, D | |
Galería Cadaqués Dos, Cadaqués, ES | |
The Columns, Art Cologne, Cologne, D | |
Flow, Centre Cultural Andratx, Mallorca, ES | |
2007 | Polished & Pressed, Bill Thompson/Peter Weber, Thatcher Projects, USA |
The Columns, Art Cologne/Palma de Mallorca, Mallorca, ES | |
Temptation, The Columns, Seoul, KR | |
2006 | The Scent of Korea, Daegu, KR |
Painterly Sculpture, The Columns, Seoul, KR | |
2005 | Today’s Voice, Neuhoff Gallery, New York, USA |
Resurfaced, Boston University Art Gallery, Boston, USA | |
Gleam & Glory, Renate Schröder Galerie, Mönchengladbach, D | |
Thirty Ways to Make a Painting, Carl Solway Gallery, Cincinnati, USA | |
New Paintings, Chac Mool Gallery, West Hollywood, USA |
Zahlreiche Arbeiten in öffentlichen und privaten Sammlungen in Europa und USA